Friday, 23 August 2013

DOUBLE JOY FOR THE SUN REPORTER, TONY OGAGA



*WINS BEST ENTERTAINMENT OF THE YEAR REPORTER 2013
*HONOURED BY GBEDU AWARDS
CHIOMA OBIKWELU & NONYE NKWOCHA 


Reporter, blogger, versatile writer and afro beat artiste, Tony Ogaga Erhariefe, has emerged the Best Entertainment Reporter of The Year, courtesy Nigeria Media Nite Out Awards 2013, which was held at 10 Degrees Event Cenre, Oregun, Lagos.
Receiving the award, the journalist thanked the organizers, declaring that the award would spur him to work even harder: “I want to thank the organizers of the awards. I am encouraged to strive even harder. I am dedicating this award to my wife and all my readers out there including my critics. Here’s saying a big thank you, ” he said.
Meanwhile, on Saturday, August 17, the reporter, who has logged 10 years in the industry, was hosted by the organizers of Gbedu Awards, alongside music veteran, Mike Okri on the platforms monthly awards series.
Erhariefe began his career as a trainee journalist in the early 2000s under the tutelage of The Sun Newspapers current DMD, Femi Adeshina. Among others he is a past nominee of the Nigerian Media Merit Awards (NMMA) 2010.
In 2008, he joined the now rested National LIFE as Entertainment Editor. Today he is a Chief Correspondent with The Sun Newspapers.

MY FLUTE AND I –EBELE THE FLUTIST



The last time first time I met her was at Wole Oni’s studio. I had just interviewed Oni when this chocolate skinned beauty clutching a flute strolled in.
Before I could say Jackie Robinson I was interviewing her. That was over a year ago. Last week, I ran into her again and realized that in the short space of a year, a lot had happened in her career including playing major gigs and sharing the stage with top musicians and recording a couple of collabos.
In this interview with The Entertainer, the act popularly known as Ebele the flutist, who says she has found joy and fulfillment playing the flute spoke on her music and why she has fallen for the flute.

Excerpts:

Wole Oni has been producing your songs. What’s it like working with him?
Wow! It’s nice and exciting because he has that touch which I want; he can interpret my sound. I am an instrumentalist who doubles as a singer so I needed someone who could interpret my sound. He fitted into that mould so well I featured him on a track Oga Mma.

The flute comes across as a masculine instrument. Why did you choose it?

It for me started when I was age 14 or 15. I was exposed to a musical background as a young girl so it started as a hobby. My mum and dad sang in church as well. There were some Filippinos who came to Nigeria and trained us. There was this Filipino lady who introduced me to the flute. I just loved watching her play. What inspired me was that she was also a versatile pianist. Before I knew it my hobby became my passion!

What does the flute mean to you?
The flute is like a bird. It’s a solo instrument yet very classic and complex and that’s why it’s not so common. But the beautiful thing about the way I play the flute is that I’m able to interpret it across various genres. I want to make the world realize that the flute could be as dynamic as the sax. My dream is to elevate the flute to the level of the sax. If you listen to my-soon-to-be-released album, I work in different genres with emphasis on the flute; my flute is my best friend.

Majek Fashek once said if reincarnation was for real, he’d like to reincarnate as a guitar. Would you want to come back as a flute?
The flute is the voice of the bird. It’s an instrument that I use to express myself. Some things are so deep I just can express them with words; it’s the flute that helps me to express them. My fans understand this and I realize it’s a big expression mode for me. Maybe, I wouldn’t mind coming back as one.


The flute is more of a masculine instrument…
That’s what people say but I totally disagree with you. What a man can do a woman can even do better. And that’s because when a woman is committed, she goes all the way; I am a professional.

Who are your role models when it comes to playing wind instruments?
Mike Aremu is just amazing. He plays his sax very well. That’s why I featured him in Jawa Chineke. I normally tell people I want to be as expressive as Mike Aremu when I play my flute.

Tell us about your dreams?
I dream of a time when you’ll start seeing flutes everywhere. People are already getting acquainted with the flute thing already. Before now nobody wanted to hear the flute. Sax was the main thing but now things are changing; I am promoting the flute experience.

Tell us about your album promo singles?
I have three tracks on YouTube and the response has been wow!

How has the journey been in the last one year?
Fantastic, very fantastic! The level of growth and acceptance has been awesome! 

When is your album dropping?
God willing, before the end of this year. 

AISHA ABIMBOLA ROCKS VICTOR OLAIYA AS NAIJAZZ HOSTS HIGHLIFE LEGEND



Actress, Aisha Abimbola practically brought the roof down at Stadium Hotel, Lagos, last weekend, when NAIJAZZ, a record label run by Ayoola Sadare’s Inspiro Productions hosted the highife music legend in Lagos. 
The actress, who was overwhelmed by Olaiya’s performance was compelled to leave her sit and engage Pa Olaiya in a classic highlife dance as the pair gyrated and swayed to the legend’s hit tunes including Baby Jowo and Omo Pupa.
 Clad in a white fishnet top and a clinging skirt which terminated just above her knees, the sexagenarian had no choice but to tango with her.
Talking to Superbass Naija after the dance the actress said: “I’m so excited listening to his music and watching him play. Pa Olaiya’s music is evergreen; I grew up listening to his vibes> I am a fan for life” the actress said.
Meanwhile, the octogenarian was supported by his son, Bayode, who is a member of his band and the event was anchored by NAIJAZZ
Other artistes on parade included Victor Ademofe, Bright Gain accompanied by Tee Mak and Tosin Alao. Others musicians included Denii, Femi Leye and the eclipse band, Ebisan, Imole Afrika and Aremu.
Commenting, Ayoola Sadare of NAIJAZZ said: “Victor Olaiya, after putting in 60 years as an active performer and giving us numerous hits deserves. To be celebrated. The vision of NAIJAZZ is to redefine and restore Nigerian music to its glorious position and where else does one reference from than from those who were part of building the foundation.
“The stadium hotel should be elevated to a tourist monument by government. I am looking forward to having Dr. Olaiya perform at some of the other events they had planned such as the Abuja International Jazz festival-ABUJAZZ and as a keynote/master class speaker at the forthcoming NAIJAZZ music summit where the wealth of knowledge he and others musical veterans have could be shared, archived and passed on to younger musicians,” he added.
The event was supported by Metro97.7FM, igrooveradio.com, Jazzhole, Inspiro productions, Tobi Adelaja photographers and Temple Productions.

DON JAZZY, SUNDAY ARRE IN BITTER SEPARATION




Don Jazzy and his manager, Sunday Are, have finally parted ways albeit on a bitter note insiders say. Though details are still sketchy,
 Are, who has worked with the crew right from the early days of Mo Hits in 2004 is said to have finally called it quits after what insiders described as a showdown between Are and the Mavin Records boss last week.


“They both had it coming,” an insider told Skoops. ”the crisis has been lingering for quite a while and Are, who has played a pivoting role in building the Mo Hits brand and who also mid-wifed the birth of Mavin Records felt he was not being appreciated for his efforts hence the confrontation that culminated in the separation,” an insider divulged.
 
“Are finally called it quits when it dawned on him that Don Jazzy was not prepared to give him his due and that was after the pair had a heated argument after which Are told Don jazzy to go to blazes,” an insider revealed.

Meanwhile, attempts to reach both parties for comments were not successful. However, superbass will keep y’all posted as events unfold.